Sunday 24 December 2023

BODY FEEL ORIGINAL ACOUSTIC GUITAR WITH VOICE

 https://ditto.fm/body-feel?fbclid=IwAR0bfdPh-gvlXyFOkWyY2LWh4AeZfMvefN4QoZc2LkE--5qUVk7Itcjw268

Waking up that morning I choose to play my guitar and allow my feelings to come out. Saying a few lines I then wrote more words and lyrics down The guitar although simple I was about getting it out of my head and coming from my feelings. Think of acoustic artists delivering something honest . Continuing to shape the sound I tried to complement what was there as I believed that I had created something that could stand alone or develop further. As I recorded it as unit meaning I played the guitar unless I was going to record separately I could not focus on the sounds individually. 

 

Feel like I DON’T RECONISE YOU 

 

AM LOOKING FOR ANWERS

 

TRYNA FORCE OUTCOMES 

 

FOR PEACE 

 

BUT PEACE NEVER ARRIVED 

 

YOUR DOOR

 

FAKING FEELINGs 

 

Tears still be coming. 

 

And then running. 

 

Then you RUN

 

Some more

 

Feel like I DON’T RECONISE YOU 

 

Emptiness my body does feel. 

 

My body does feel.

 

 

 

He drawed  her close  to his  body 

 

While they lay in bed

 

 wipes a tear  from her eyes

 

oh don’t listen to 

 

all the words in your head 

 

oh feelings they move like  waters on those sandy shores

 

 

Its like don’t recognise you

 

 

Emptiness my body does feel 

 

My body does feel

Body feel chop up sample myself

 https://ditto.fm/body-feel-deconstruct

With the acoustic recored I decided to explore further useing Logic pro  listening to the track I listened carfully foucusng on the guitar as a space to start and a heart beat a repetive yet fluied motion to carry the track cutting out certain words that i sang . listenng to the gutiar . Why did I do this because I was interested in pushing the orignal story forward . And to bring something more to the piece that really highlighted more in its performance but sculpted 

by drawing out various words useing repetion enabling you to feel sense of movement with me wanting to focus on the body and expression along with the threputic act of letting go 



artist research Robert Rauschenberg

 

Robert Rauschenberg

An american  mixed media artist who comes from the pop art times takes painting print 
work is multlayerd mixed media work with screen print collage and cynotype print  useing every day obejects  metrials already created there is a resourceful eliment  with  a disire to see metrials not for not just as they are but as a way to build up sculpture to create layers and express him self as an artist  to his work this approach takeing the odinary into the extrodinary this is something i  take into my work useing the bottles . 

titles and dates require
youthful loud statement look at me commanding

                                                          Robert Rauschenberg, Buffalo II (1964).


                                                       tranquil peaceful earthy delicate
Robert Rauschenberg 1995

Personal potrait 
Robert Rauschenberg 1955




Saturday 23 December 2023

Remix

Pull the image of myself photocopying making multiple reflecting on the repetition of mood and song a place that can be both suthing yet it can wear one down the layers the textures the colours over laying some colours standing out some muted hanging back distored  yet clear. With the bottles half full half empty with the valves the simple percusive sound. 












                                                   





Continuing to play with images  in using exposure , contrast, highlights and shadow delivered depth highlighting the textures from from various papers and colours .
 

Saturday 9 December 2023

Bottled instrument plastic 1 hanging

Taking another set of bottles being resourcful upcycling metrials to create something that makes sound playing notes sounds something simple for a person to engage with while being in a state of low with suthing sounds that are abled to make sense with the brain in a process of sounds can enable the emptyness to shifted bottles simblise half empty half full a way of looking at life hope or hopless . With the use of bycyle valves to place air cealing with a glue  making a hole in the bottle tops to place the valve in. pumping up creating five diffrent notes although I am not sure of the notes as yet the sound . 

 

Wax The dission to make an instrument came

o me i then thought of skiffle and a load of bottles remebering someone making a xylophone out of plastic bottles this could get rid of a lot of bottles I have and to be resourseful and make someting that has some kind of noise coming out 

battle of ideas London / Buxton

Performance presentation is support round the edges and not being the main focus working as a team supporting the main focus . I took part within the support of this event because it aloud me to be apart and support from sidelines this is gives me something to think about as a main performance drawing on community thinking about being locked into a place of low being a service to others is often seen as a way to move from a place of low. This was provided to me supporting this event . It was free speech event there was a stage there was conversation, debates on the stage as a volunteer we helped keeping the stage moving recording the performance handing the mic around for the audience to ask questions. 

Monday 30 October 2023

artist research Julian knxx




An artist from sierra a Leonian  drawing on his culture and background with the use of film sound and movement  with these multple layers within the work it draws 



On Friday i went to Bibcan the artist work that was on exhbti happend to draw me in with hise use sound film and movement  reption drawing from his culture 



Tuesday 13 June 2023

HILMA KLINT ARTIST RESEARCH

 Hilma Klint was a female artist from Sweden 

Born in 1862 from a navel family a female who was very headstrong and educated from

an aristocratic family . Part of the second  generation of women to study

 Royal Academy of Art.

She became well-established portrait and naturlistic artist this was the work she shared.  However the work I am going to be looking at that was shared many years later after she past is abstract. There many many components that potential add towards the abstract works of Hilma KLint .

Being vegetarian her intrest of nature science spirtuality with the possibilities of unverse  she was part of a group titled the five  a circle women into Theosophy with her interest of Theosphy  studying explored and withhold all her abstract work she shared her work with philosopher Rudolf Steiner who was also into Theosophy draws on religion philosophies and science seeing him as a mentor he saw the works as the future and not of the now. What I take from her works is the search for anwers within nature ideas of beliefs beyond painting circles when looking at the piece of work that are abstract there is the use of organic shapes. An acceptance with a thoughtful instinctive process.






Using words


 Using words in the project gave me a starting point to then take into logic creating sounds and expressing myself 



As I sat thinking about being stuck in a place of discomfort words start to come to me below is what I came up with although I wrote lots more I decided to focus on these words below as I thought they said enough with no sound rhythm melody influence. 




https://soundcloud.com/tropical-sista/first-take-from-stuck-vocal-only?si=59585afc689a4926bcad305c9c522165&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The words used on this recording are in the middle panel of the photo I took by scanning myself on my scanner at home the mood they appear to express is stuck and lost Although I used these images I did not progress further with them in my project further development went into creating a piece 

that is spoken word with me singing utilising the tone of my voice while projecting pre-written words having to find that part of me that is truthful and projects the words natural but not overtly performative.  Using percussion strings layering the main vocal pitching down so to a low with the use of eq and distortion and Compression.  I liked what I had come up with however although it didn't feel overly performed it still felt like I could turn it around using the recording of me talking over my work? 

https://soundcloud.com/tropical-sista/some-kind-of-stuck-stuck-1?si=3abd51a21e9b47aca4d74eefe3772fee&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

so then I began to think about space again could I use the same vocal from me talking about the work. I was wanting to see if I could give it some space by sculpting cutting away and adding in with what i had already created. This could of worked a lot better if i gave it more time however i didn't put as much time into as the other needed more volume control and panning .

This is me talk about the work that i choose to use with the previous recording 




Project reflection 2023


 

With my thoughts and ideas in relation to ideas of being free with colour, I proposed to explore through the following mediums: painting, responding to music, textiles, dying materials, sewing, and upcycling bringing previous works from my human relationship with my earlier water project.

 

 I wanted to explore the process of Bookbinding and how that will add to the layers. Visiting an exhibition called ‘Journey of the Mind’ which was a semi-spiritual experience where there were dense texts it made me feel that reading can also be a mindful experience and the passage with the exhibit made me consider how the exhibition was almost like a book on telling us how to live. 

 

The density of the text made it difficult to go through the exhibition but the hard work was worth the effort in what was gained. It gave me the thought that when we are challenged and have to take time it may give more than the fast satisfaction that we expect from the way we communicate today.

 

 It made me think about how religious art is shown today. The title ‘Journey of the Mind’ pulled me in because promoted thoughts of self-journeys rather than a religious subject (although it was based on the Sikh religion). The title of a book can pull you in in the same way that the title of this exhibition did. Utilising the idea of a book, the sublimation print, the textiles, and sewing all spoke to the part of me that is seeking and creating comfort through the use of hands to create, even without the end product in mind.

 

Using lyrical writing, sampling sounds from Tokyo recordings and animation, I intended to do a multi-layered piece and then take that work into sublimation print. Using the college trip to Tokyo for research and taking photos and my wider observations of the culture. I planned to select images from my trip to Tokyo with a view to taking them into sublimation print.

 

 

 



Looking at my work

When looking at all the elements that I explored within my work; from the repetitive layering of the stitch, printed on the sublimation material that I created, the pieces of materials that I chose to dye, to the sound pieces that I created with the freestyle spoken word, to the instrumentation and layered composition within the recordings - this echoes the ideas or elements of the non-linear - like the rhizome that Gilles Deleuze talks of. What I mean by this is that with the material that is printed, there is this sense of not knowing where time is at - coming or going?...this also echoes in the piece of music, where I sampled a previous vocal recording, that I chose to layer up with other vocals and harmonise and by using pitch to create deeper tones, creating a sense of a heartbeat - not knowing where it would start or finish.

sampling

 https://soundcloud.com/tropical-sista/sample-myself?si=cac05bf5712d49ccb2755a942f730092&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Sampling from previous work finding a word that made me think of being stuck the word was unsure the link is above this was a starting that led to me using repetition layering voices creating a soundscape loop

Taking the sample above led to the development below layering panning vocals with little harmonies and adlibs this felt soothing yet chaotic through the use of repetition reverb delay and distortion and compression. I liked it the repeat the circling round getting lost in a trance as it is playing delivering something  with various textures of voices pitching them to sound deep  to give an underneath texture that lifts the main vocal 

https://soundcloud.com/tropical-sista/unsure-now-now?si=f80ca46502fe47869bf87db7947daebb&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Original talking about work
Moving forward I questioned if I could break it with something sounding a bit natural not too routine something none predictable.  I decided to sit and freestyle my feelings of the work and being stuck. It worked when I just allow myself to breathe and let the words write through my mind I often get a  result that begins with to then think about adding or dismantling the words that are there. With the talking it worked in one take. With honesty the delivery it worked and was what I was looking for. Words  I sometimes struggle to find although I could say I trip on some words it feels sincere and authentic and that is what  I wanted.


Talking about the work taking it further sculpting around the sound the sound that was there already was tricky having to listen with headphones take breaks pan the sounds and keep the vocals as natural as possible was important to not let the sound perform but let it be heard in it organic state lifting with eq  this was enough and taking out some of the repetition on the words enabled space for this to work 

Although I feel this contrasted with the repetition where the word unsure is carrying nothing a rhythm and a word to have something so natural as talking truly awakened this although I feel it could be better through continually listening I am happy with the result. 

https://soundcloud.com/tropical-sista/unsure-exceptance-1/s-MMCGfSlSEMv?si=5f9e47f9e62d4bf9aeae2c985c4fbb34&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Monday 12 June 2023

project reflection and evaluation

 I feel like the project has gone well overall considering the final outcomes. However the start of the journey was difficult. As I was unsure about which way to go. Although I started with sublimation print via the paintings and photography from Tokyo. The paintings were inspired by listening to music. 

Also exploring words in relation to being stuck in limbo. I then began to think about what this would sound about in recording. Recording g the words as poems related to limbo.

I utilised percussion and vocal harmonies and delay treatments with reverb to give a sense of space of openness using Logic Pro software. I sampled previous fragments of other works and reacted to particular vocals and taking them, writing around that, creating a spacious loop. By this I mean a kind of soundscape that delivers a feeling of being stuck.

This feeling of being stuck creates irritation and paradoxical comfort. Furthering on from that I began to look at Sketchbook Pro and app to create animation and take words relating to limbo, drawing images about being stuck then putting these in motion. I also re-visited my video archive and pulled out a video of myself in bed, looking stuck and placed this with animation and layering with words. I then took a recording from logic and added this to visuals. This worked for repetition but felt as if potentially it was over performed. 

At the same time I was working on another piece which I preferred. I then thought about talking. As talking and being still in moments and somewhat natural seems to work for me. I think this is better than overperforming as it misses the point I wish to share. Where this idea of coming to a final piece with a degree of acceptance. There is something about external/internal pressure about bringing something to the forefront.

Moving forward the main focal points were four pieces of sewn and printed material. Also using dye and stitch. These were challenging focal point, as although I delve in naively, I did not realise you can put imagery that can cancel depth. To deliver a full image of depth and something more tactile I hade to alter its physical presence to something more sculptural. This was a challenge. This taught me that sometimes the initial quick idea is not as easy as it seems.

I formed my fabric elements into several wall-hung pieces. I am happy with them. I shaped these further to create more mass. They are abstract forms but carry connotations of time, layers and tribal culture. They feel like maps and suggest travel. They create a sense of question and curiosity rather than have a clear literal message. I fully embrace this sense of suggestion rather than overt explanation.

The decision to make a book was about being still and reflective, with a sense of meditation. This required more patience than available time. I am pleased with dyeing the paper and the material aspects.

I tried my projection alongside the fabric sculptures but felt they interrupted the viewing experience. The sound was fast and repetitive and the video jumpy. We discussed this and agreed to try out different positions but ultimately it confused and cluttered things. I later watched it without sound and I thought would work as a stand-alone but not in conjunction with the rest. I then decided to place the recording of me talking about the experience and being stuck on my video.


 

Thursday 8 June 2023

On working towards being an artist I have started to develop .


 

Internet art connection website

 using the web designing site  Square Space webpage which is in black and white and therefore, gives a traditional, classic look. I chose this as I value traditional styles linking to the modern, and to have that central to a site I see is good for me.

There are links to social media such as Facebook and Instagram and these will be the art spaces where I bring in more colour. 

Other links will be my podcast which will be in relation to arts, and to an exhibition, along with subjects I am interested in such as the art processes art in education, art therapy, and any other excuse to talk about art in a way that feels worthwhile to share. 

 

In the search for opportunities, I have found an:

 

 

 

 

 

Art and Mind support

 

volunteering role linking music and the brain, singing songs and serving tea with people who suffer from Alzheimers and  Dementia , once a month in Clifton. www.alzheimers.org.uk I found this volunteer role on Indeed.

I chose to seek out this position as I have had a long-term interest in art and therapy and people's mental and emotional well-being and brain function. I have also been looking for art and community  work and, although it is not local to me, I found a group of people online through Meetup, sharing work and ideas with each other online .

 

ART COMUNUTIY https://www.meetup.com/weareartists/

 Utilising Meet Up to find other creatives and those online is enabling me to share work and to be working on some future art events. This is an opportunity to grow, working with other artists from all over the world online and other places such as London .  

 

 

 

 

Art business

As an artist sometimes I would work independently outside of an organisation that provides their own pay role. Providing my services as self-employed  would require me to be registered as self-employed and contact HMRC 

This would be collected  yearly, 

keeping a book to do the transition of cash earning expenses, keeping receipts and once a year tally up the numbers for the Tax Return .  Working independently would  require me to take up insurance. I have recently I got a quote from a website https://quote.markeluk.com/

   priced at £88, which covers arts and crafts and demonstration and teaching. With my ADHD,  I struggle with paper work and keeping things in order, so  to improve this I will 

be looking for an ADHD Coach to work more strategically towards my needs . https://www.gov.uk/access-to-work/print

 

Artists support

 

Ryan Botlbee 

A freelance artist with an undergraduate degree in

Architecture and Masters in Fine Art , he has lived in for 8 years in Nottingham. He comes from an organisation called ‘No Jobs in the Arts’  an organisation that provides a space for the artist at the beginning of their journey to gain experience.

 

In the talk, he talked about how to value yourself, weighing up the odds and setting your price 

to be treated fairly as an artist. Sharing our experience we discussed and shared better ways to approach 

critical thinking and potential negotiation alongside ethics and beliefs and whether a company aligns with your values.      He discussed volunteering within an art space. And the idea of keeping a professional journal reflecting on your progress as an artist what is working what is not and keeping a list of connections. I found this talk helpful and take think about these processes to move forward as an artist.

 

https://www.nojobsinthearts.co.uk/

 

 

Artist research


On the 3rd of May, I went to the Nottingham Contemporary  Art tour discussion of the recent work and exhibition by the artist  Charlotte Johannessen, a self-taught artist from Sweden. Her journey began in the 60s, starting with textile weaving which was called decorative craft. With an interest in politics, she took that into her work which would have been revolutionary. She is self-taught in digital programming for creating weaving whilst also working. When looking at her work I take away the contrast between the traditional craft and technology, something that was potentially seen as ordinary being pushed into the extraordinary through her political pieces. I am using sublimation print and textiles to create diverse interwoven ideas that are both strong and fragile. This  I see in her use of materials, and the openness of pieces hanging from the ceiling and enjoy being able to see the raw process to the perfection of the front of the piece. This is something that happens in my current work and previously shows the guttural opening flesh of the piece. Nothing is hidden, a round perspective of the internal and external being.         

 

With the element of traditional women's work engaging with feminine energy through the use of my hands. As I am making, I am cocooning, going into a place that feels comforting to me, sculpting is about the act of making the building of layers. This is a language expressed of necessity to me, grounding in the feel of the familiar but also a feeling of the unknown. Comfort in the process.

 


A picture containing textile, wall, indoor

Description automatically generatedA close-up of a piece of art

Description automatically generated with low confidence

 

On May 4th   I went to a conversation with Emily Anderson  and Ruth Fainlight talking about a piece created by the photographer and poet Emily  and 

titled Somewhere Else Entirely.

 

 It was an interesting discussion about the art of creating a film and the ability to work with someone in such an intimate way. How does one do this come across authentically and the willingness to surrender to someone being in your home?  For the filmmaker to be able to step in to take you in to be natural with the subject? Also, to work as one yet to be moving through a dance of film that becomes instinctive.

 This was an interesting discussion that made me think deeply, finding this central within myself. Through the use of the poet's work, pieces of music and film, it was a beautiful balance. (I did not get the opportunity to watch the film, however).

 

Taking in the discussion and observing the interaction I felt the relaxed connection between the two, allowing the film to breathe like nature. 

 

I took part in a Music coding workshop to the progress of Lectures and participation using the program sound coder. Typing in commands to enable sounds to be expressed. 

 

 I took part in a VIRTUAL REALITY Workshop. This also works with coding. With the use of websites grabbing scenery and music characters to get started. There are plenty of resources online to enable you to grow with the program. The Program that was used was Unity. 

Going to these workshops was good as it is something that interests me. I found it challenging at first, however, I know it’s a communication and 

a language I am unfamiliar with. However, it’s a direction I would like to move towards  

 


 

 

Wednesday 7 June 2023

introduction to final project 2023

 Before I knew about the trip to Tokyo, I had purchased a camera.  So as soon as I knew I was going, I decided to develop my photography skills and my potential to create work through photography. Although I had not been given the assignment as yet, I was due to get this during February and this would be a truly long project. I began planning ahead looking at the use of the camera in a professional way using Aperture Shutter Speed and ISO  printing off the guides to help me on the way as initially I did not understand. However, with persistence, I began to understand that with the use of those three elements it is about balancing. Although I had a plan, I decided to shift from one or the other, iso shutter speed and aperture. Sometimes I got this wrong but I was able to learn with the information coming up on the screen. 

Photographers I looked at: 

Helen levitt
who is a  photographer who is able to get into a space very close to a subject to be within a space and to not disturb the subject in a way that does not make them shy away or extenuate themselves. Still on the journey of learning, and what I was potentially wanted to do in Tokyo was to use photography to take the every day ordinary into the extraordinary. However, I was lacking confidence and found myself uncomfortable. I know that I have to become relaxed in my skin in order to go where I want to go with photography.

Vivan Maier is another artist/photographer who got close to her subjects, however, in the pursuit of photography, she kept her work to herself, hidden. It is interesting that she got close to her subjects but hid herself and her work was only highlighted when she died. From both these artists, I am taking that authentic non-staged energy and being still to take a photo within a space of a person.

Saul Leiter is another photographer I looked at in the pursuit of the ordinary within the extraordinary in photography, with an element of hidden, mystic, poeticism in his work. These photographers appeal to my quiet side. I thought about what I could do as my previous works had recordings with them. I thought of doing sounds of the city going to other cities such as Manchester, London, and Liverpool finding common ground and uniqueness, sampling in the UK creating from sound and picture. Would it be multi-layered as I prefer my work to be? I wanted to get close to the people, like the shots of the photographers I had been looking at  Vivian and Helen. My skills had not developed much, although I had some knowledge of how to potentially approach photography manually and I simply was not feeling comfortable being in and around people using a camera as it made me feel intrusive. I continued taking my camera out to get over this feeling. I tried to keep a diary of some of my progress and kept a book with images of different types of photography, although I knew I wanted to do a certain type of photography.


I was aware that exploring different types of photography could benefit my work helping me to learn the camera techniques further. Taking my camera to Tokyo although still new, pushed me on as I used the camera every day moving from manual to autofocus. Before I set off, I began painting and responding to music with thoughts of my future project. 


I thought this could be sensory, creating sound and responding to this is a place I am familiar with. I decided to develop and explore a project I did in my final project in my access course. This project, ‘Memory and Music’ looked at how music is deeply entwined in our memories, our lives, and human connections. However, I was still unsure of what I truly wanted to do. Although I knew that I wanted the experience of Tokyo to really give me some form of inspiration, a sense of direction and to bring forth something of interest.


 The trip to Tokyo came, and I took in my surroundings from the fact that everyone looked so stylish to the traditional manner of people. I was struck by the love of old and new and how people politely bow and go about their days standing out without attention-seeking behaviour. However, moving into nightlife. In the bars, men paid for their drinks, whilst the women drank for free. Women were dancing on stage and some women drank in bars with their friends. Multiple men stood in bars some appearing alone, with one male who drank to fake confidence and attention seeking for a woman. I went to two places that night, one was a bar and the other was a nightclub. 


Both spaces had women dancing on stage, resembling a time past in the UK it felt like stepping back into a world once known in the UK. Embracing the experience of being there through food, nightlife, and travelling via the underground,   the traditional spaces with the shrines, the food, the streets,  exhibitions, street fashion and culture. The overall temperament, the energy, the politeness, the tradition of bowing to one another, to sitting on the train politely, this way of being had me intrigued about the history, the culture, and the people of Tokyo and of Japan as a whole. What was making up the place that we know to be Tokyo? What were the layers that made up this place?  I began to think about what is it that makes Tokyo and Japan. I started looking at the history and the development of the place. 

The key things that came up were  Zen Buddhism which was taken up by the Chinese in the 6th and 7th centuries along with wasabi and kintsugi.  


 I would like to explain why I was drawn to looking at the culture and the people’s way of being. This tends to be my main interest as I am interested in what makes humans, who we are, the human experience and what makes a place with people within it appear content with life. What is within their culture, ideas beliefs? To a place appearing so lost, ungrounded what are the pillars that have potentially fallen. Does the acceptance of everything come from a good place? 










 

Kate Whyles

 Kate Whyles is a professional curator, an overseer of the art within a space , who began her journey as an artist in Nottingham studying for her A levels. Moving on to Nottingham College, she studied for an Art Foundation in 1997, going on to study Fine Art at Trent University. When she finished her studies at Trent, she got into the Royal Academy London specialising in sculpture working with resin. 

 

Looking for places to put on an exhibition and volunteering at Art Space whilst building up a portfolio of experiences, she worked with Marc Quinn looking after his collection of work. This was a great responsibility, working on his first major exhibition titled ‘Out of Time’. This involved keeping the work at a precise  temperature  in order to preserve the piece, as it is as he used real blood within this sculptures.

Within six months of working with Marc Quinn and seeking more experience, she then went onto work with Gilbert and George who live their lives as an art performance sensation. She worked on the work Light Boxes and Words and Picture exhibition and was mentored by Tracey Emin .

She was working in London at the time of  the ground breaking  exhibition titled ‘Sensation’ put together by  art curator Charles Saatchi  which featured  artists such as Tracey Emin and Damion Hurst .

There was 100 pieces of art by 40 different artists at The  Royal Academy in London between the times September & December 1997  . This was the British movement and had people really questioning .This was something different from traditional audience playing on people thoughts and views of the world etc . It was such a huge moment nobody knew how ground breaking it would be with British art and music at the time culturally.

Some of the artwork was more like theatre provoking so many emotions and putting all these artists the map 

 

In 2000 she returned to Nottingham taking on the old exhibition space and working with other artists. She moved into live art and shock performance art, putting together immersive experiences and collaborating with other artists.

The Shows That Made Contemporary Art History: Sensation - Artland Magazine

                   Self 1991                                                                       Marc Quinn

 

Being a curator preserving this art work for Marc was an extremely important role. When looking at the work it is ordinary functional blood taken in to art creating  extraordinary sculptures . This pushes the boundaries and the possibilities of using something outside of the traditional sculpture material . This is something I do myself take materials such as flowers and placing them into plaster. 

 

 

 

Chris Lewis Jones

 Chris Lewis Jones

Is an artist who works in a psych-geographical context in relation to his work.

His works normally start with drawings. He classes this as one of his foundations towards starting pieces of work. He works with the arts through education and performance expressing context through various mediums such as photography 

installation and live performance art. 

As an artist, he carries his sketch pad everywhere taking rubbings of buildings. An eccentric character,  he became inspired by his father who lives within his art, often going to exhibitions dressed as art. 

Developing a portfolio of work, he worked in various environments and with different types of people . 

 

Within these images we are looking at Britishness in various ways. The image with the sheep appears to celebrate the good life, countryside, grass, the great natural spaces, untouched and preserved, open to everybody . The image with  the plants  and scribbles gives a feeling of a British rebellion, a new world emerging from a time of punk a reggae in the  late 70s.  The welcome Mat plays on is the narrative of people not feeling welcome with cagedlike bars placed over the Mat giving a feeling of being free but caged in a world, unwelcome. These images really embody  a psychogeography context of space in relation to the piece and the objects in the space. This is something that interested me as I have an interest in connecting the dots with human relationships and objects .

 

 

 

Chris Lewis-Jones | Flickr

Green & Pleasant Land 2007                                                                      Chris Lewis Jones 

 

A picture containing art, painting, modern art, graphic design

Description automatically generated

Patriotic Pants,North & South. 2007                                                               Chris Lewis Jones

Welcome Mat 2004                                                                                                  Chris Lewis 

Tuesday 6 June 2023

Raphael Daden

  Raphael Daden is an artist who is   based in NottinghamHe  studied at Loughborough College in 1994, with a deep investment in developing new skills.  

He grew in this environment getting to know his artistic nature, developing sculpting skills, and establishing a great passion for sculpture working with photographs and taking the wood and placing them in various environments. Continuing to work with wood led to frustrating him as an artist. One of the first set of buyers to purchase his work was the college. This would have been a great achievement. During this time, Raphael was signing on as unemployed.  

He was able to study 6 hours a day,  living on his benefits for support and. enabling him to develop as an artist 

 

With commissions spanning from 1998 to the present date and with multiple awards, Raphael made great steps forward and he achieved reviews of work in established papers.  

 Raphaels work is about the materials and through those materials he connects words and sculpture together. 

 

He was influenced by sculpturer  

Constantin BrâncuÈ™i , an influential sculpturer  of modernism, using  

sleek minimal rounded shapes in wood and colours in his works. 

 

His advice was to use the opportunities a degree gave you to experiment with a variety of materials and styles and to hone your individual style after the completion of the degree. 

He spoke about the connection with senses and emotion when creating which is important to me. 

Whilst working it is important to be aware of markets and the finances so that the opportunity to keep working is always there. 

 

Weymouth  is an art piece of his.  

The environment in which he places this work with the words and the circular piece of artwork with various filters of blue initially makes you think it is about the human via the sea, looking through a circle which resembles a mirror but also a porthole feels still and meditative. Utilising the materials such as resin ,stainless steel and stone which echo the environment of the sea with the clear material that is resin. To use stone and steel makes you think about traditional British  seaside environments. With his use of words by poet Aly Stoneman, that adds to the feeling of the environment the human experience  . Aly is poet who looks at the human experience with their environment.  

Dorset Council UK on Twitter: "You may have spotted something new on  Weymouth seafront. This eye-catching artwork has been created by artist  Raphael Daden and is based on data and scientific reports on rising sea  levels. It will form part of the new ... 

Raphael Daden                      The levels are changing 2021 

 

 

Belfast Northern Ireland  

An art piece placed within the scenery of a hospital  

Bringing the environment of the sea within this commission draws on a stillness and calm from the sea for an environment that is changing every minute due to the nature of a hospital. The commissioned art brought a piece of stillness to the environment which we know will have a change of scenes feelings and moods 

His work is placed where one could take some time out sometimes to reflect and simply breathe with his use of materials mirroring the place. People are able to use this space and have some stillness or maybe find clarity bringing an outside natural environment to the inside  . He is an artist who has a sensitivity to really thinking about the use of environment using natural and artifical  lighting and the use of words. Raphael Daden’s 

work creates a feeling of  peace through what it is and the environment and use of materials  

 

 

 

 

Raphael Daden | Light Artist | Commissions | Sea Pattern | Resin, Steel,  LED Lighting 20m x 4m x 150mm 

Raphael Daden                                         Sea Pattern 2010 

 

 

This work was placed in a hospital, where you can be still and relax. The colour on the glass and the mood of the lighting would help towards these feelings. This piece along with the other piece shows how Raphael thinks and feels the environment in which he placed. This work alongside the people who may interact with his work